Wednesday, April 28, 2010

We Are Love




So many wonderful things to tell you! Soon, I promise.....exciting things in the mix...

From the Universe:

If everyone really knew how much they were loved, not only from "above," but by everyone now in their life, there'd be little hearts drawn on everything from wheelbarrows to skyscrapers to jumbo jets.

And I so look forward to that day.

Big heart,
The Universe

Sunday, April 25, 2010

Yoga: Come One, Come All

[A class at Yoga To The People on St. Mark's]


Yoga To The People gets a well-deserved shout out from the New York Times, woot!

Wednesday, April 21, 2010

Through a sunlit land we'll go hand-in-hand




...and with that, she opened herself to the Universe, grateful for its boundless love, and began creating change that would steer her life in a new, exciting, and pure direction.

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The Passionate Freudian to His Love
by Dorothy Parker


Only name the day, and we'll fly away
In the face of old traditions,
To a sheltered spot, by the world forgot,
Where we'll park our inhibitions.
Come and gaze in eyes where the lovelight lies
As it psychoanalyzes,
And when once you glean what your fantasies mean
Life will hold no more surprises.
When you've told your love what you're thinking of
Things will be much more informal;
Through a sunlit land we'll go hand-in-hand,
Drifting gently back to normal.

While the pale moon gleams, we will dream sweet dreams,
And I'll win your admiration,
For it's only fair to admit I'm there
With a mean interpretation.
In the sunrise glow we will whisper low
Of the scenes our dreams have painted,
And when you're advised what they symbolized
We'll begin to feel acquainted.
So we'll gaily float in a slumber boat
Where subconscious waves dash wildly;
In the stars' soft light, we will say good-night—
And "good-night!" will put it mildly.

Our desires shall be from repressions free—
As it's only right to treat them.
To your ego's whims I will sing sweet hymns,
And ad libido repeat them.
With your hand in mine, idly we'll recline
Amid bowers of neuroses,
While the sun seeks rest in the great red west
We will sit and match psychoses.
So come dwell a while on that distant isle
In the brilliant tropic weather;
Where a Freud in need is a Freud indeed,
We'll always be Jung together.

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So you need a typeface

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So...how does one pronounce "Moleskine"?, hehe




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Pick One (warning: you will spend many minutes doing this...)


(I pick NYC for this one, DUH!)

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xo

Sunday, April 18, 2010

Are we human, or are we dancers?

In that icy blue she realized that she was the only creator of her destiny. All she could do was send love to everyone and everything that had ever hurt her. It was her time; her time to be happy and free of the pretend limitations swirling about her whirl pool of imaginary things.

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Going There

by Jack Gilbert

Of course it was a disaster.
The unbearable, dearest secret
has always been a disaster.
The danger when we try to leave.
Going over and over afterward
what we should have done
instead of what we did.
But for those short times
we seemed to be alive. Misled,
misused, lied to and cheated,
certainly. Still, for that
little while, we visited
our possible life.

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I am almost done with The Solitude of Prime Numbers.....wow, read it! Seriously. It's beautiful, literary, smart, accessible, natural to identify with, etc. I knew I'd love it from the 1st page ... beginning with a girl of about 10 yrs old on the ski team and hating it. Ring any bells?! I was laughing out loud on the subway, reading about how she would sing to herself on the way down the mountain, to kill the silence, how she would pee in her snow suit in order to avoid having to go into the lodge and take all of her equipment/attire off, how she'd lose track of her team, how much she feared the races, etc. Uh, that was me on the ski team, pretty much. I would speak to myself in pig latin on the way down the mountain...I got so good at it that it became a coveted skill later down the road (on bus rides to/from school: "hey everyone! Julia is awesome at Pig Latin" "Hey, my friend Julia is, like, the greatest Pig Latin speaker....like....ever!"....yep)...I would, yes, pee in my ski suit from time to time, and before races I would get so nervous that my stomach would coil in on itself and become a ball of pain. I would complain about my stomach ache, in hopes of being able to skip out on the race. But my parents knew it was nerves and I was forced to toughen up and do it. I'm grateful for that now, but back then....ohhhh no. I'm happy to say that I now appreciate my skiiing skills and love to ski recreationally.

Anyway, back to the book. Just read it. On nearly every page there's a sentence I'm inclined to underline.....Paulo Giordano is a beautiful writer (and not too hard on the eyes, either. Oh, and he was 25 when he wrote this. And he's a professional Physicist and is working on his doctorate in particle physics....what?). His descriptions are like poetry w/o being over the top, jam-packed with ornate adjective, and SAT words. A few examples:

The others were the first to notice what Alice and Mattia would come to understand only many years later...There was a shared space between their bodies, the confines of which were not well delineated, from which nothing seemed to be missing and in which the air seemed motionless, undisturbed.

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Learned about Air BnB today. Seems like a pretty good way to travel, although not as inexpensive as I'd imagine. They do have a cute lil' cottage in VT for only $69 a night, though!

Lots of fairly good deals in Europe and beyond, too...

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Very entertaining: most awesomest thing ever

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<3







Anyway

Thursday, April 15, 2010

Sunday, April 11, 2010

Cosmic Love


And even though things weren't quite in place yet, she knew it'd be ok. No, it'd be great. Because when you let your heart be your guide and trust the process, the outcome can be nothing short of spectacular.

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What an absolutely delightful weekend I had! Yum, yum, yum. It kicked off with.......


Florence and the Machine on Friday night at Terminal 5

Wowzah...now let's talk about an incredible show! SO s good. Florence Welch is frickin' powerful, graceful, beautiful, free, and empowering. It felt great to go to a concert that I loved and left feeling lifted. The last concert that made me feel that way was Feist when I saw her in VT (twice in one year! lucky VT). It's like every song she sang, every lyric she spoke, she was articulating what I've been feeling.

And not only did the concert surpass my expectations (and don't get me wrong, my expectations were quite high), but I was in the company of three gals who have rockin' energy and it made the night beyond enjoyable.

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Little things I did this weekend that I'm proud of:

-Hemmed a pair of jeans. A pair of jeans I bought in Sept '09 and haven't worn yet because they were so long. But today? Wore 'em. 'Cuz I hemmed 'em.

-Baked fresh corn bread

-Baked fresh choco chip cookies

-Started reading The Solitude of Prime Numbers, by Paolo Giordano

-Considered sewing lost buttons on various jackets. Will potentially get to that next weekend...or next winter when I need the jackets again.

-Spent a total of....you ready for this? SEVEN....7.....yes, seven dollars. The entire weekend! This is because I am working with a $20 bill till next paycheck. Awesome, I know. But hey, goes to show you don't need to spend mula to have a good time

-Made it to Central Park and enjoyed beautiful weather, frightening fly balls from nearby baseball players, good conversation, and overall peace

-Made cream garlic risotto with greens and spicy sausage for din din

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Looks like I cooked more than usual, eh? You know why? Because I [she sheepishly admits] watched Julie & Julia and was totally inspired to get my bum into the kitchen more often. I actually learned a lot about Ms. Julia Child. Did you know that she didn't start cooking [seriously, at least] until she was 36?! I'm not saying 36 is old, but it made me feel like I don't need to be on some race track to my life calling....so that was nice. Anyway, it was neat to learn about her experience at Le Cordon Bleu, her adorable relationship w/ her husband, her sister (who I couldn't watch w/o thinking of Sue Sylvester), the loooong process of trying to get her 1st book published, etc.

I ted to steer clear of movies that are so hyper-hyped, but it felt right to watch it in the moment and I'm glad I did.

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I also watched The September Issue. More on that in a future blog post...

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I want to get a fancy pants, yet manageable, digital camera. Any suggestions? I'm thinking something in the Canon Rebel family...

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I'm looking forward to the day where something pokes me in the rib and inspires me to start writing. Like....real writing. And I know it'll happen....and I feel it's going to happen soon...and ohhh how I'm inviting it. I think that cold weather/winter/general moodiness/weird schedule/certain shifts have been preventing it. But the path is clearing.

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Super excited about this:



Urban Outfitters has teamed up with Society6, an international artist community representing more than 70 countries worldwide, to bring you PRINT SHOP. Select your favorite piece and choose to have it printed as a gallery-quality art print, iPhone skin or laptop skin. Society6 will print it and ship it directly to you.

I want to try out one of the laptop skins....

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Mmmmmuch much more to write...but I'm getting sleepy and I still have stuff to do before bed. One thing being: luscious bubble bath.




xo

Thursday, April 8, 2010

Either that or some pure desert




Today's poem sent by poets.org is one by Gerry Stern. Gerry was at the Jack Gilbert tribute I went to last year and I absolutely fell in love with this quirky, hilarious, somewhat vulgar, shameless, little genius of a man! He had me practically doubled-over in laughter as he told old, old tales of himself and Jack as young adults traveling the world trying to make it as poets (and dang, it worked...for both of them)

Kissing Stieglitz Good-Bye
by Gerald Stern


Every city in America is approached
through a work of art, usually a bridge
but sometimes a road that curves underneath
or drops down from the sky. Pittsburgh has a tunnel—

you don't know it—that takes you through the rivers
and under the burning hills. I went there to cry
in the woods or carry my heavy bicycle
through fire and flood. Some have little parks—

San Francisco has a park. Albuquerque
is beautiful from a distance; it is purple
at five in the evening. New York is Egyptian,
especially from the little rise on the hill

at 14-C; it has twelve entrances
like the body of Jesus, and Easton, where I lived,
has two small floating bridges in front of it
that brought me in and out. I said good-bye

to them both when I was 57. I'm reading
Joseph Wood Krutch again—the second time.
I love how he lived in the desert. I'm looking at the skull
of Georgia O'Keeffe. I'm kissing Stieglitz good-bye.

He was a city, Stieglitz was truly a city
in every sense of the word; he wore a library
across his chest; he had a church on his knees.
I'm kissing him good-bye; he was, for me,

the last true city; after him there were
only overpasses and shopping centers,
little enclaves here and there, a skyscraper
with nothing near it, maybe a meaningless turf

where whores couldn't even walk, where nobody sits,
where nobody either lies or runs; either that
or some pure desert: a lizard under a boojum,
a flower sucking the water out of a rock.

What is the life of sadness worth, the bookstores
lost, the drugstores buried, a man with a stick
turning the bricks up, numbering the shards,
dream twenty-one, dream twenty-two. I left

with a glass of tears, a little artistic vial.
I put it in my leather pockets next
to my flask of Scotch, my golden knife and my keys,
my joyful poems and my T-shirts. Stieglitz is there

beside his famous number; there is smoke
and fire above his head; some bowlegged painter
is whispering in his ear; some lady-in-waiting
is taking down his words. I'm kissing Stieglitz

goodbye, my arms are wrapped around him, his photos
are making me cry; we're walking down Fifth Avenue;
we're looking for a pencil; there is a girl
standing against the wall—I'm shaking now

when I think of her; there are two buildings, one
is in blackness, there is a dying poplar;
there is a light on the meadow; there is a man
on a sagging porch. I would have believed in everything.

Tuesday, April 6, 2010

Your songs remind me of swimming

Kale is my mouth's play thing



Sometimes the simplicity can be so fulfilling...


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Munchin' on delicious sauteed kale in my lunch mix o' goodies and it is mm mm good

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Couch Surfing, by Tim MacPherson How clever!





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SO into these: Google Maps envelopes (only a concept at the moment) would let you send snail mail through an button right in gmail and print evelopes showing the route between the two addresses.




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Ok, gotta get back to worky work





xo

Monday, April 5, 2010

All our words are but crumbs that fall down from the feast of the mind [KG]




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Embrace

You know the parlor trick.
wrap your arms around your own body
and from the back it looks like
someone is embracing you
her hands grasping your shirt
her fingernails teasing your neck
from the front it is another story
you never looked so alone
your crossed elbows and screwy grin
you could be waiting for a tailor
to fit you with a straight jacket
one that would hold you really tight.

-Billy Collins

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Ever since yoga class on Friday when the teacher read a great passage from one of Kahlil Gibran's books, I have been reading more of his stuff.

But let there be spaces in your togetherness and let the winds of the heavens dance between you. Love one another but make not a bond of love: let it rather be a moving sea between the shores of your souls.

-Kahlil Gibran

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I'd like to go to this

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Ok, stuff to do! Happy Monday

<3

Sunday, April 4, 2010

Be mindful, even if your mind is full




Hi hi hi! YES, feels so good to have the time and space to sit down and write a real blog post! [with a well-crafted cappuccino by my side, I might add]...

It's sunny, it's warm, and oh yeah, it's Easter. Now, I'm a very spiritual person...but religious? Meh, not so much. So this morning when I woke up and, sans Easter basket (my 2nd Easter w/o basket...sad, but at age 24, not too shabby. I surely milked it), recalled what holiday it was, I rested my head back on my pillow and reflected a bit. Easter is, of course, the celebration of the resurrection of Christ. Now, that's wonderful and all for the church-goers out there, but for me the story does not deeply resonate. In fact, it just flat out doesn't resonate. Period. But I wanted to honor this day in a way that meant something real to me. I decided to take the idea of resurrection and apply it to...well...my Self (note the capital "s").

It's easy anywhere at any age to lose grasp of the Self. And I could be wrong here, but I think that especially as a person in their young 20's in NYC, it is especially easy to lose sight of what's important to and for the Self. I often find myself intimidated by others' success or ideas, as opposed to inspired. Or I find myself focusing on the areas of my life that leave much to be desired [in my mind], rather than embracing, revering, and appreciating the areas in which I've grown. I can, at any moment, be pushed down and allow my grounded foundation to be shaken up by negative energy or...eek...negative thoughts. As we all know, thoughts/feelings such as those create an icky paralysis in mind, body, and spirit; and no one wants that. So I claim today the day of Self resurrection.

Easter will be a day [hopefully among many others] for me to step back and look at my Self objectively and see how I'm doing. I will note the spots that are shifty, swirling with negative energy, or missing, and work from there to fill those gaps or tumultuous regions with light, love, and healing energy. I will then embrace myself as a whole and thank my Self and the Universe for everything I have and everything I am capable of. I think it's important to do this often, but this day just made me realize it on a stronger level.

In short, love thy Self! And, one of my favorite phrases: To thy own self be true.

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I read this every Easter and it continues to make me giggle:

Jesus Shaves

by David Sedaris


"And what does one do on the fourteenth of July? Does one celebrate Bastille Day?"

It was my second month of French class, and the teacher was leading us in an exercise
designed to promote the use of one, our latest personal pronoun.

"Might one sing on Bastille Day?" she asked. "Might one dance in the street? Somebody give
me an answer."

Printed in our textbooks was a list of major holidays alongside a scattered arrangement of
photos depicting French people in the act of celebration. The object was to match the holiday
with the corresponding picture. It was simple enough but seemed an exercise better suited to
the use of the word they. I didn't know about the rest of the class, but when Bastille Day
eventually rolled around, I planned to stay home and clean my oven.

Normally, when working from the book, it was my habit to tune out my fellow students and
scout ahead, concentrating on the question I'd calculated might fall to me, but this afternoon,
we were veering from the usual format. Questions were answered on a volunteer basis, and I
was able to sit back, confident that the same few students would do the talking. Today's
discussion was dominated by an Italian nanny, two chatty Poles, and a pouty, plump
Moroccan woman who had grown up speaking French and had enrolled in the class to
improve her spelling. She'd covered these lessons back in the third grade and took every
opportunity to demonstrate her superiority. A question would be asked and she'd give the
answer, behaving as though this were a game show and, if quick enough, she might go home
with a tropical vacation or a side-by-side refrigerator-freezer. By the end of her first day, she'd
raised her hand so many times, her shoulder had given out. Now she just leaned back in her
seat and shouted the answers, her bronzed arms folded across her chest like some great
grammar genie.

We finished discussing Bastille Day, and the teacher moved on to Easter, which was
represented in our textbook by a black-and-white photograph of a chocolate bell lying upon a
bed of palm fronds.

"And what does one do on Easter? Would anyone like to tell us?"

The Italian nanny was attempting to answer the question when the Moroccan student
interrupted, shouting, "Excuse me, but what's an Easter?"

Despite her having grown up in a Muslim country, it seemed she might have heard it
mentioned once or twice, but no. "I mean it," she said. "I have no idea what you people are
talking about."

The teacher then called upon the rest of us to explain.

The Poles led the charge to the best of their ability. "It is," said one, "a party for the little boy of
God who call his self Jesus and . . . oh, shit."

She faltered, and her fellow countryman came to her aid.

"He call his self Jesus, and then he be die one day on two . . . morsels of . . . lumber."

The rest of the class jumped in, offering bits of information that would have given the pope an
aneurysm.

"He die one day, and then he go above of my head to live with your father."

"He weared the long hair, and after he died, the first day he come back here for to say hello to
the peoples."

"He nice, the Jesus."

"He make the good things, and on the Easter we be sad because somebody makes him dead
today."

Part of the problem had to do with grammar. Simple nouns such as cross and resurrection
were beyond our grasp, let alone such complicated reflexive phrases as "To give of yourself
your only begotten son." Faced with the challenge of explaining the cornerstone of
Christianity, we did what any self-respecting group of people might do. We talked about food
instead.

"Easter is a party for to eat of the lamb," the Italian nanny explained. "One, too, may eat of the
chocolate."

"And who brings the chocolate?" the teacher asked.

I knew the word, and so I raised my hand, saying, "The Rabbit of Easter. He bring of the
chocolate."

My classmates reacted as though I'd attributed the delivery to the Antichrist. They were
mortified.

"A rabbit?" The teacher, assuming I'd used the wrong word, positioned her index fingers on
top of her head, wiggling them as though they were ears. "You mean one of these? A rabbit
rabbit?"

"Well, sure," I said. "He come in the night when one sleep on a bed. With a hand he have the
basket and foods."

The teacher sadly shook her head, as if this explained everything that was wrong with my
country. "No, no," she said. "Here in France the chocolate is brought by the big bell that flies
in from Rome."

I called for a time-out. "But how do the bell know where you live?"

"Well," she said, "how does a rabbit?"

It was a decent point, but at least a rabbit has eyes. That's a start. Rabbits move from place to
place, while most bells can only go back and forth--and they can't even do that on their own
power. On top of that, the Easter Bunny has character; he's someone you'd like to meet and
shake hands with. A bell has all the personality of a cast-iron skillet. It's like saying that come
Christmas, a magic dustpan flies in from the North Pole, led by eight flying cinder blocks. Who
wants to stay up all night so they can see a bell? And why fly one in from Rome when they've
got more bells than they know what to do with right here in Paris? That's the most implausible
aspect of the whole story, as there's no way the bells of France would allow a foreign worker
to fly in and take their jobs. That Roman bell would be lucky to get work cleaning up after a
French bell's dog -and even then he'd need papers. It just didn't add up.

Nothing we said was of any help to the Moroccan student. A dead man with long hair
supposedly living with her father, a leg of lamb served with palm fronds and chocolate.
Confused and disgusted, she shrugged her massive shoulders and turned her attention back
to the comic book she kept hidden beneath her binder. I wondered then if, without the
language barrier, my classmates and I could have done a better job making sense of
Christianity, an idea that sounds pretty far-fetched to begin with.

In communicating any religious belief, the operative word is faith, a concept illustrated by our
very presence in that classroom. Why bother struggling with the grammar lessons of a six-
year-old if each of us didn't believe that, against all reason, we might eventually improve? If I
could hope to one day carry on a fluent conversation, it was a relatively short leap to believing
that a rabbit might visit my home in the middle of the night, leaving behind a handful of
chocolate kisses and a carton of menthol cigarettes. So why stop there? If I could believe in
myself, why not give other improbabilities the benefit of the doubt? I accepted the idea that an
omniscient God had cast me in his own image and that he watched over me and guided me
from one place to the next. The virgin birth, the resurrection, and the countless miracles -my
heart expanded to encompass all the wonders and possibilities of the universe.

A bell, though, that's fucked up.

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Also, check out all of these sketchy bunnies, AH!

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Ok, now moving onto non-Eastery stuffs.





Nora and Christoph of Learningfrom.de created a range of fascinating objects all made with things found on the streets of Mainz, Germany.

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Thank you to the wonderful Ms. Bancks for introducing me to this awesome website!

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The Selby is in Your Place is a new book by, you guessed it, NY-based photographer and illustrator Todd Selby...and I just missed my chance to win a free copy. Waaahhhhhh

Probs worth shelling out $23, though...

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I want to give a shout out and a big congrats to a dear family friend, Betsy Rich, for starting up her new photography website! She's incredibly talented and she rocks because she left her comfort zone to go a pursue something she's passionate about. A rockin' lady, to be sure.

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If you're like me, you've definitely spent minutes of your life checking out these weird little codes on your milk bottles and wondered what exactly they mean. 49-70? 12:12? [the time it was bottled?]...F1 DNO? What?!

Well ponder no more, my friends....go to Where Is My Milk From to de-code these suckers. Everyone should know where the sustenance hails. Get smart on your dairy, yo.

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“There is a vitality, a life force, a quickening, that is translated through you into action – and because there is only one of you, in all time, this expression is unique.

If you block it, it will never exist through any other medium … and be lost. The world will not have it. It is not your business to determine how good it is, nor how valuable it is, nor how it compares with other expressions. It is your business to keep it yours, clearly and directly to keep the channel open.

You do not have to believe in yourself or your work. You do have to keep open and aware, directly to the urges that motivate you.

Keep the channel open. No artist is pleased. There is no satisfaction, ever, at any time. There is only a queer, divine, dissatisfaction; a blessed unrest that keeps us marching, and makes us more alive than others."

- Letter from Martha Graham to Agnes DeMille

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Hm, Google searches can reveal a lot about the sexes...

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As a side note, I am currently munching on these and am deeply, deeply satisfied...and should probably stop...but...so...good...

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If I had an iPhone, I'd get one of these. Come ON Verizon! Get with the program.

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In Praise of Nothingness. I like it; I can jump on that boat. [or do you jump on a band wagon? Whatever, I can jump on that mobile structure of sorts...]

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Ok, off to enjoy more of this beautiful, beautiful weather!

Happy Easter, everyone and happy self-appreciation/Self-resurrection day, too!

<3

Thursday, April 1, 2010

Where the woods once held the voices



A Story
by Philip Levine


Everyone loves a story. Let's begin with a house.
We can fill it with careful rooms and fill the rooms
with things—tables, chairs, cupboards, drawers
closed to hide tiny beds where children once slept
or big drawers that yawn open to reveal
precisely folded garments washed half to death,
unsoiled, stale, and waiting to be worn out.
There must be a kitchen, and the kitchen
must have a stove, perhaps a big iron one
with a fat black pipe that vanishes into the ceiling
to reach the sky and exhale its smells and collusions.
This was the center of whatever family life
was here, this and the sink gone yellow
around the drain where the water, dirty or pure,
ran off with no explanation, somehow like the point
of this, the story we promised and may yet deliver.
Make no mistake, a family was here. You see
the path worn into the linoleum where the wood,
gray and certainly pine, shows through.
Father stood there in the middle of his life
to call to the heavens he imagined above the roof
must surely be listening. When no one answered
you can see where his heel came down again
and again, even though he'd been taught
never to demand. Not that life was especially cruel;
they had well water they pumped at first,
a stove that gave heat, a mother who stood
at the sink at all hours and gazed longingly
to where the woods once held the voices
of small bears—themselves a family—and the songs
of birds long fled once the deep woods surrendered
one tree at a time after the workmen arrived
with jugs of hot coffee. The worn spot on the sill
is where Mother rested her head when no one saw,
those two stained ridges were handholds
she relied on; they never let her down.
Where is she now? You think you have a right
to know everything? The children tiny enough
to inhabit cupboards, large enough to have rooms
of their own and to abandon them, the father
with his right hand raised against the sky?
If those questions are too personal, then tell us,
where are the woods? They had to have been
because the continent was clothed in trees.
We all read that in school and knew it to be true.
Yet all we see are houses, rows and rows
of houses as far as sight, and where sight vanishes
into nothing, into the new world no one has seen,
there has to be more than dust, wind-borne particles
of burning earth, the earth we lost, and nothing else.